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This Week's Song
Playing:
GZA/Genius - Paper Plate
Ratings:


Updates:
[Questions/Comments/Contact: info@wu-international.com]


[20th. July. 2008] New Update:

GZA/Genius Sets To Drop Pro Tool As He Releases The 50 Cents Diss Single Online.
The GZA is one less person on 50 Cent's Christmas card list this year. Who are we fooling? Wu-Tang Clan's GZA and 50 were never friends. They don't even know each other, but they haven't seen eye to eye since the Genius started dissing the G-Unit last year during a concert run. 50 responded by calling the Wu-Tang Clan co-founder "irrelevant."

It took awhile, but GZA is trying to start another round of back-and-forth. He released the G-Unit dis record "Paper Plate" on Friday. It's the first release from GZA's fifth solo LP, Pro Tools.

"Whipped with Cuban Linx," GZA threatens in his 100-plus-bar tirade, produced by RZA. "Cut by Liquid Swords/ Crushed by Ironman till we choke your vocal chords."

"You ever seen someone who roll with Mayweather/ Rhyme like Ricky Hatton?" asks GZA, who mocks Fif's crew with the name "Flea Unit." "Smash whatever you throw, a thousand is what I'm batting/ Got a few hooks but no jabs .../ Enough to make you vogue on that cover of GQ/ Only thing missing is the sheer blouse, homie/ You see-through."

The title "Paper Plate," according to GZA's camp, implies that 50's art is "disposable."

Other producers on Pro Tools, slated for release on August 19, include Bronze Nazareth, Allah Mathematics, True Master, Arabian Knight, Jay Waxx and Black Milk. GZA's son, Justice, and Wu-Tangers RZA and Masta Killa are featured on the album

[12th. June. 2008] New Update:

   Willie The Kid : The Crowning Of A Prince Interview 

Picture, if you will, the future of street music. The coming of urban culture led by an artist who was born to do it. A messiah, of some sort, destine to recharge and accelerate the pulse of rap music. Inspired by the essence of the craft, Willie the Kid is that artist. Born and raised in Grand Rapids, Michigan, his is not the typical rappers tale. Located two hours West and East of Detroit and Chicago respectively, West Michigan didn't have much to offer in the early 1980s. Like many urban areas, it offered underprivileged African-American people nothing but the stark contrast between their lives and that of their upper class counterparts. With limited outlets for the urban youth, fast money became the common alternative.

Yet rather than fall prey to the convenient access to drugs and violence, Willie The Kid uses the bleak landscape of his childhood stomping grounds as inspiration for his music and motivation for his career. The son of a DJ who was down with the culture from its onset, Willie grew up in a home where Hip-Hop was the ideology of choice. My father never did anything else, he says, wasn't big on religion, wasn't big on sports. Wasn't big on anything, but the music. In my house, that's what we grew up to. We never got in trouble for throwing footballs in the house, we got in trouble for scratching a record, or playing a rap record and saying the cuss words.

The result was a 4-year-old who became king of the playground by memorizing Rakim and KRS-1 rhymes, knowing that none of his friends would have ever heard the music to which he was exposed at home. It was only a matter of time before Willie and his brother starting coming up with their own rhymes, making microphones from a pair of broken headphones, which they connected to a boom box. Around the age of 12, as his brother, La The Darkman, got his industry break through a deal with Wu Tang, Willie the Kid got his first notebook and truly started writing. This happened during the late 1980s, early 1990s, to which he refers as the Golden Age of rap music. With influences such as Nas, Wu Tang Clan, and Jay-Z, Willie the Kid is a true writer, a story teller whose word play and vivid descriptions put his listeners in a zone.

With the support of his Atlanta-based Aphilliates Crew, Willie the Kid continues to bypass the norm as he releases his music independently and build his very own brand--something which he has done since moving to Atlanta and linking with fellow Aphilliates member DJ Don Cannon. You can catch the young street visionary making apperances on every Aphilliates mixtape release from DJ Don Cannon's 28 Grams to DJ Drama's Gangsta Grillz series. The future is here, right now: Pay Attention as Wu-International chops it up with WTK, his humble beginnings, outlook on the game and his forth coming offering. Enjoy!!

[Please Click on picture or this link for full interview]


The Almighty Unveil July 22nd Debut “Original S.I.N. (Strength Un Numbers)” On Babygrande Records
Almighty, the Wu-Tang Clan affiliated supergroup consisting of Wu-Tang affiliates Killah Priest, Bronze Nazareth, C-Rayz Walz, Son One, M-80 & 5-Star, offer their debut collaborative effort: “Original S.I.N. (Strength in Numbers)” on July 22nd on Babygrande Records.
Featuring appearances from Canibus, Keith Murray, Planet Asia, Warcloud (Holocaust), 60 Second Assassin (of Sunz of Man) and more, along with production by Bronze Nazareth (the RZA) among others, Almighty’s “Original S.I.N.” boasts a talented collective of independent emcees promising to rival such supergroup independent smashes as Army of the
Pharaohs, Wu-Tang Meets The Indie Culture & many more.
For more information, including music and the embeddable widget, please visit:

www.crackspace.com/thealmighty
www.babygrande.com

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